after inaugurating the ‘opera’ sub-series of his outis music label with the sublime omonimo double lp this april, dino sabatini has invited some choice allies to help define the vocabulary and expand the vision of the new imprint. the aforementioned album, which wove together sabatini’s atmospheric conjuring skill with the piano flourishes of antonello salis, already exhibits the labels commitment to dismantling the either-or logic of contemporary genres by successfully merging a variety of supposedly irreconcilable styles, talents, and worldviews (e.g. both mythological and the technological perspectives). the follow-up ep, concentrica, draws on the material from omonimo and delivers it into the hands of additional remixers in order to continue the outis opera voyage.

the deewees say: we met bolis in 2006 via myspace, and then later in real life when we toured asia. to escape the unbearable boredom of his native macao, bolis had decided to try his hand at making electronic music - inspired by a jean-michel jarre concert - and we have stayed in touch all these years. this record is the result of bolis visit to deewee in gent where he was enchanted by the world of analogue synths. we should also mention that bolis had a previous life as south east asias number 2 rubiks cube champion in 2003. think logic system and telex. sleeve design by ill studio.

lp document of the first collaboration between oren ambarchi, kassel jaeger (of editions mego) and james rushford (who s projects include manhunter and food court on the kye label, and ora clementi on penultimate press). two side-long pieces recorded at grm studios, paris in 2014, comprising of distinct layers that gently rise up and recede, pale calling obeys a dream-logic that feels entirely disconnected from traditional electro-acoustic composition, forming surreal sonic images in which half-remembered fragments of everyday life mix with the quiet intensity of dreams haunted by natural forces.

two tracks from a brand new (second in a row) ep by warsaw-based duo tumult hands fully illustrate paradoxical approach of jacek sienkiewicz and jurek przeździecki to the creation of a common integrated form. spontaneous compositional decisions and minute sound interventions are contrasted here with a persistent precision of rhythms generated by both musicians in a reality of an inter-studio space, in moments of an encounter, sometimes, fully controlled collision, of two worlds. full of inner rigour and logic (record is a prime example of modern functionalist music), although teeming with fantasy and flourish, tumult hands current explorations also announce duos full-length lp, soon to be released through recognition records.

zackey force funk was born into this wild world in tucson, az in 1974. in and out of prison since the age of 17, zff began producing on pirated software his brother gave to him once he had given up a life of crime to focus on writing tunes and raising his family. first discovered by kutmah back in the golden era of myspace, zackey’s signature “force funk sound” swiftly grabbed the attention of a number of formidable producers. as these tunes were scattered across various labels, finding their homes on their respective collaborator’s projects, zff continued to hone his style, delving deeper into the psychedelic future funk realm of which he has created for himself. the fruits of his discipline all add up to “electron don” hnr52 a 15-track collection of early productions that serves as the initial transmission of a fantastical mind that has many more stories to tell. “electron don” gathers together various unreleased and classic tracks recorded by zackey force funk circa 2009-2011 in tucson, az. included here are a treasure-trove of classic productions by the electron don himself, as well as tracks by luminaries salva, mike gao, lorn, jellphonic, cupp cave, crimekillz, mark lowe and paolo xz.
pressing on white vinyl.

amazing fresh hypnotic double vinyl , pressed on 180gr - vinyl only release

as some first meetings on spaghetti monster with a ukranian electronic «guru» - stas drive were successful the monster team decided to provide a logic following on this story with a full ep by stas for this summer. the ideal behind his music - the bright cosmic vibrations for body and soul. stas found a special hypnotic sound and not surprising that it is one of the most played artists in sets of hernan cattaneo, guy j, nick warren, guy mantzur and cid inc today stas drive is one of the new popular faces of the world underground edm stage and the one of most demanded remixers - says his press text and we improve it with a look on 7 greatest artist s remixes on ep. we do not wanna put tons of words to describe each percussion sound on all the versions. u can find in a pack whatever you like to play most from deeper groovy donatello to housy canadian vibes from ellroy. the ep will follow by a 12 vinyl edition with four most interesting version so now just keep your eyes open and ears focused to keep in touch with spaghetti monster.

with grace cores luminously warm debut ep, krsna, the artist has offer up a hi-energy provocative style blended with possessed chanting, modern pop, post-rave and hypnotic trance. these elements have come together to occupy a remarkably weird place all its own. taking cues and hint from pop-inspired releases, krsna slowly progresses from atmospheric and dreamy uplifting melodies to increased tempos with powerful, lilting synths and addictive, pounding and relentless drum kicks. it showcases a deconstructed panoramic set of tracks that shimmer with confidence and wonder created by the unique inner logic of grace cores sound world. finally entering brainspaces this fall, the result is a records that sounds both focused and coherent, flowing with a conceptual ease that leaves the listener completely fulfilled and open-jawed.

bleed follow up their inaugural release, by volte-face, which received plays and praise from the likes of dvs1, pangaea, luke slater, marcel fengler, blawan, erol alkan and anthony parasole. rote is a debutant artist, formed by volte-face and daniel avery, best known for his lp drone logic , widely considered to be one of the breakthrough dance albums of the last decade. rote is a project with no precise mission statement. the goal is to approach each studio session with a fresh impetus, to release club eps with minimal fanfare and fuss. the ep features two densely atmospheric, peak-time techno tracks as well as remixes from semantica head svreca, and arguably the most prominent contemporary techno artist in japan, dj nobu. a small pool of djs have received the tracks ahead of promo, with early support from nina kraviz, dvs1, silent servant, tripeo, ryan james ford, jp enfant, distant echoes and samuli kemppi

shake the mind encapsulates the sound of clouded vision recordings, with a long awaited single from matt walsh, backed with a remix from daniel avery. alongside the radio edit, the title track is a 7-minute trip of late night acidic techno, with a nod to matts new wave and ebm influences. the double a-sided vinyl is completed with a pounding slice of atmospheric techno and the first new piece of music from daniel avery, since the release of his critically acclaimed album, drone logic last year. dan returns the remix-favour to close friend matt after his version of free floating appeared on the drone logic remix album new energy earlier this year.

as one of the most exciting talents rising out of the uk, there is no better time for dc-10 resident richy ahmed to team up with new yorks seminal house imprint, strictly rhythm, and release * cant you see ep*. opening with a hard-hitting 4/4 beat * cant you see* features a funk-laden walking bassline adding fluidity to the mix, calling on the sound of the 80s and bringing it in to the present day. analog synth sounds are peppered amongst bluntly cut vocal samples, drawing inspiration from the clinical elements of techno, yet retaining the groove that ahmeds work is rapidly becoming synonymous with. the eps second track is ahmeds remix of logics 1990 classic * the warning*. the originals acapella has been repurposed by ahmed, looming over the tracks driving percussive elements. with a low-slung bassline interchanging with sizzling hi-hats, the remix pulls the original away from its blissed-out roots and firmly into the warehouse, providing new meaning to one of the legendary strictly rhythm’s many classic club anthems.

lost soul enterprises offers the debut solo release by blacklauren. a shadowy figure in new yorks techno landscape and one half of the warehouse dj duo the long count, here he offers up a suite of four floor-ready cuts. rhythmically austere and hauntingly atmospheric, each track follows its own complex logic of interlocking parts, giving the illusion of being both static and in constant churning motion.

the third volume of the salamanca edit series. the a-side contains a heavy southern rock banger while the flip side features two new wave / popish edits of tracks that are just too good to get lost in time. again the sleeves and labels are hand stamped with love. limited to 300 copies!

limited pressing on audiophlie 180 gram double vinyl.
when diamond district dropped in the ruff on mello music group in 2009, the gritty drums and grimy raps combined as elementally as hydrogen and oxygen. the d.c. voltron of oddisee, yu, and x.o. dusted off and revitalized a sound once consigned to the catacombs. hailed as an instance classic, its impact reverberated throughout the underground and mainstream. the washington d.c. city paper called it the citys best album in many years. during an era when lyricism was deemed too intellectual and samples too dated, diamond district overturned conventional logic. they preserved the raw and made it righteous. a half-decade later, the holy trinity has returned with march on washington. the truths remain timeless. wisdom over rhythm. slang turned into testament.

pulse one is the new signing of granulart recordings, three tracks from pure to emotional techno plus two remixes from label boss valentin corujo aka kessell.

hello. this is pastamusik speaking. for more then 10 years the munich based label issues with constant inconstancy special musical tales from the underground. and since not all stories told and not all songs played and yet not all cows have returned home, we are ready to add another chapter within this tradition. pastamusik proudly presents with “collage” by macchina nera it’s first long player. the talented munich based dj and producer macchina nera already draw some attention with his first release in 2005 (under a different alias). followed by several releases on different labels around the world he finally found a solid home base with pastamusik, that resulted in a number of successful releases. so it was a logic consequence in taking the next step and to compile the highlights from his last two years productions in his first album. munich meets munich. or even better – munich meets the world. then all of the sudden tracks of macchina nera became regulars in the sets of various djs around the globe. and this is where he starts with his first album and tells with his unique symbiotic style of house, disco, techno and funk little musical tales from the cities and it’s clubs, from all night dance, glimmering dancefloors and dark corners, from big love and big dramas…..even if it only lasts for one night. and as versatile and diversified like these nights are the consistently energetic tracks, full of unexpected turns and small details that make it worth to listen a little closer enough said for now, let the music speak for itself. the album will be available in vinyl, cd and digital release, available at real record stores as well as in the digital world of internet. here comes the soundtrack for spring, summer, autumn an of course for winter. timeless! beautiful!. thank you!.kisses! your pastamusik.

wayne gardiner is something of an unsung hero in the deep house world. his productions on numerous labels (nervous, strictly rhythm, ibadan etc) under his own name, as classic man, logic, track masters and many more all have the perfect balance of rough and smooth, deep pads, jazzy keys, floating melodies and chopped vocal samples are all underpinned by tough driving beats and percussion creating his trademark sound. the ep features 2 mixes of killer a-side come on, do anything, 2 mixes of the slamming b-side cut i need you so bad and finally the basement jam which rounds things out. 5 tracks of pure 1992 nyc garage, one for true aficionados and house heads!

another intelligence, is a label with new tools for creative dj s and techno artists. jeff mills, jonas kopp, kr!z and dimi angelis already play this release. after contact, the integration of new goals and thoughts is unstoppable. “cyclical” represents the possibilities of the minimum, the essence is in the little things. “the whisperer” is the idea that approaches the minds in a sudden way, that come to settle “establecimiento” and provides a state of reflection based on logical thinking “logic process”. the techno of the future is in our living present. just obtain your own conclusions.

re-mastered classic

dan le sac vs. scroobius pip, das britische hip hop- / elektro-duo, kehren knapp vier jahre nach der veroeffentlichung ihres vorgaenger-albums the logic of chance mit ihrem dritten studio-album repent replenish repeat zurueck. repent repenish repeat featured auf dem track gold teeth den britischen dubstep produzenten und dj flux pavilion.
pressung auf schwerem 180 gramm vinyl, inklusive liner-notes und downloadcode.

hot on the heels of tom ellis brilliant the maybe logic comes organic musics latest from slowtown records boss, rhythm&soul. whas more, the package also comes primed with a fierce remix by none other than chris carrier – a man who knows a thing or two about quality-strewn house music.
early support from : audiofly, chaim, danny howells, david squillace, dj sneak, doomwork, jef k, jay west, kabale und liebe , kruse & nuernberg, midnight perverts,okain, mirco violi, shur-i-kan, animal trainer, bastard love, da sunlounge, franco bianco, halo, horatio, james silk, olderic, uglh ...

egyptrixx gives a glimpse into his forthcoming second album on night slugs with the vinyl-only cut *water (reduced)*. the hi-definition crystalline world of his previous album *bible eyes* has sunken, submerged. *water* takes place in some vast molten expanse, a subterranean electrical storm expressed as acid-tech. this 12 inch features the reduced dub, stripped of melody to for full hypnotic effect. the full version can be heard on the forthcoming album, titled *a/b til infinity*. on the flip: helix keeps bootlegging our records. he cuts up the masters and edits them up like fruity loops lego, applying the same post-timbaland stutter-logic that was amplified so dramatically in 03-06 grime. here he puts his hand to egyptrixx blastbeats-heavy *adult*, also taken from the forthcoming *a/b til infinity* lp. the results are extremely punishing but compelling listening.

arts is an independent label established in 2013 based on sonic dimensions. arts label has influenced by emmanuel. the product, the artwork and the concept are all based on sonic issues.

laurel halo returns with behind the green door, a stripped back, rhythmic, and sonically absorbing ep. while re-injecting rhythm as the central focus, laurels compositional senses of elevated flow and ambient detail remain intact, harking back to earlier releases like hour logic on hippos in tanks, and the spring 12 inch under the king felix alias.

subtext presents the debut album from uk based sri lankan born artist paul jebanasam. rites brings together five settings of stark sonic poetry whose underlying logic bridges the worlds of contemporary classical, metal, sacred music and sound design.

deadly poison is the fourth installment of st petersburg-based producer sanys on discerning downfall theory series. retaining to the a/b format and treading a heady, analogue-hued line with releases thus far on predecessors control freak / event horizon, forward thinking logic and daily situation which supported a stunning rework from chicago-based, detroit-born producer alex israel, deadly poison continues to march on in gritty, idiosyncratic fashion only this time fractioning off and multiplying into four distinct, yet symbiotic floor workouts. on the a-side hired guns kicks off with no-holds barred, full-on weighty bass weaponry before grab them back in reins things in, just a little: a dystopic soundtrack full of clanging machines rung through with the filmy dread of a waning humanity. on the b-side concern continues in plain rude as distorted vocals are twisted into evil barks and plied with itchy hats to warning chimes and a bounding bassline in this weird and wonky builder. down and dirty then concludes—as the title suggests—in deep, raw analogue terrain. having already caught the attention of people like blawan, rivet and brendon moeller, deadly poison consolidates sanys skills as a one to watch maker of provocative, sensitive and fiercely independent dance music.

with its non-placed devices and hard-to-pin-down aesthetic falling between electronic and psychedelic music and the warm-hued sounds of traditional acoustic instruments, burnt friedmans zokuhen,produced exclusively for vinyl, may be considered an extension of bokoboko. on this new double ep, too, the music focuses on uneven rhythms that dictate the groove for all the participating musical elements and display a formal logic to which all the instruments gladly succumb. with its even rhythm and proximity to dub reggae, the track kon ki (c2) shows that exceptions from the rule are permitted among the six new tracks and two re-worked bokoboko themes that round off this follow-up.

vs take on house music comes at the listener from an outsiders perspective, as his native ukraine traditionally hasnt been a hotbed of this genre. consequently, his new album on nuearth kitchen, 13th district, hits your ears at an odd angle, as v (aka vakula, aka mikhaylo vityk) bends somewhat familiar tropes into fascinating, fresh shapes. clearly enamored of american funk, soul, and jazz, v recalibrates these familiar elements—the amino acids of house—into dream-logic, hypnotic scenarios that accentuate their visceral and cerebral qualities.

south london ordnance will return with an ep of dense house/techno mutations on september 24. the big boss theme ep contains three tracks on vinyl with an additional two digital-only cuts. stream the relentless ep below.slo recently told fact that >everything is shapes and textures for me, regardless of what it is, whether its marks on a piece of paper or stuff in the interface on logic<. this visual approach to music comes through on his space-conscious constructions. the immersive compositions share a intensity that sets the newcomer apart from his peers: the tracks are persistent but never exhausting. previously released >transmission funk< and >trojan< hum with industrial precision and dancefloor ecstasy, respectively.

third release on the mindtours label, originally released in 2001, now back in limited numbers.

black vinyl repress, natch is the union of the body,mind and passion with drum machines and synthesizers. its what is natural,what we do the best. kidnapped in the 90s by the clubs of detroit, taken by the power of the bass, carried over through a sequencer and convinced that berlin is the new dance floor. natch is techno. it moves through the stimuli and does not stop, pushed by the need to discover new forms,to listen to the unheard,browse unlimited electronic influences. not only from dub to dark sound, but reaching an underground that is an expression of the sounds that each of us carry inside. aware of the history behind each clap, which leads to the highest level of sound, of his idea: techno-logic. natch is the way, natch is natural

hazylujah is a new talent from italy. his four track ep >too many ghosts< is a fizzing and machine wired world of deep space atmospherics, house beats and techno futurism. it clunks and splutters with analogue details in its own unique way.

if you have heard daniel martin-mccormicks name recently, it would probably have been either in association with his disco/punk/echo band mi ami, or as sex worker on the not not fun label, or finally as ital on nnfs sister label 100% silk, recording quite different sounding house music to this album. raised in washington dc, daniel has a history in the citys hardcore scene, he was in the dischord records signed black eyes, but was also making dance inspired tracks at the same period, but coming from a very different angle from your average guy with a copy of logic and a working knowledge of dance musics history.
double 12 inch vinyl, including code for free download of this release.

first ep for alex arnout (dogmatik) on alain hos composite records. four brilliant techy house tracks! enjoy.

2011 album exploring classical music fields, combined w/ tms electronic pop approach

the next record from the abstract acid catalogue will be the first in a series of various artist works. downtown dirt 1 features 4 cuts of chicago house and acid workouts by jackee, interface88, mmmc (man made mechanical culture), and steve summers. pure and simple raw grooves made for those who still like to jack.

hypnolove are a cult band from toulouse, in the southwest france. their first album >eurolove< included the french pop song >mademoiselle< which featured across french national radio stations, a kiss cover (i was made for loving you), a feist featuring (bitch lap lap) (but sshh, no one is allowed to mention her real name, she became famous just after recording it) and even a punk track! the album was going places. nothing short of brilliant, but alas, audiences had a hard time understanding the logic of it, which of course was simply the songs, the taste, the musicality and the talent!dj-support from tiga, busy p, steve aoki, pilooski, the magician, munk, jerry bouthier, rory phillips ...

sampler 2 of 2 from in flagrantis new album. predictably jacked to the brim full of their signature no-gristle, no-glory aesthetic.

2003 double vinyl lp by french techno pioneer scan x.

ltd backstock ..future classic and emotional detroit tech tracks !!! timeless

for the 8th release on soweso were proud to bring you parisian house music guru chris carrier. logic sunrise and street machine are both examples of how modern club house should sound like. high production value and amazing drive make these two sure shots for house djs worldwide. on the b-side we bring you two rare gems from chriss musical vault. love supreme is an amazing collaboration between chris and long time friend hector moralez and one night stand is a playfull classic house affaire.

long awaited album !! amazing double lp with a unique mixture from electronic and dubstep... well done

post-punk, reggae afro, disco und balearic style in the mix: can, unknown cases, desmond & the tutus, chris & cosey, brian eno & john cale.

totally slammin mini-comp from lukes anger imprint ! features stable >wonksters< along side current >darling of the scene< al tourettes....

great new release from the kitsune stable. and this is a sure shot. simplicity and logic are logos ephemeral aesthetics mammals. the writing is not narrative, the speech does not have a say. logo does not tell stories. logo is kitsunes latest signing and they really strike a blow with their first ep >la vie moderne< which already features two hits: >junocide< and >la vie moderne<, both in their original and auto-remixed versions.

brandnew album of full analogue techno house killer tracks! hammered / loved by : marcel dettmann, len faki, ivan smagghe, laurent garnier, seth troxler, troy pierce, phil kieran, perc, de:bug, groove mag, chris liebing, butane and many others ! !!

wayne gardiner the man responsible for the strictly rhythm classic logic >the warning< gets a release on soulfuric deep with remixes from brian tappert, christian hornbostel, tony v and ryan mishkin.

part 2 of the 20 years remix series! this one features martijn ten velden, jimpster and claude monnet & torre bros. happy birthday strictly rhythm!